Caltrans Highways & Freeways

These guidelines have been created to better serve the needs of productions applying for permits. Exceptions may be made on a case-by-case basis only, and unforeseen circumstances may necessitate changes to these procedures. Please know that everyone involved will always do their best to accommodate your production.

Check the CFC Production Alerts for conditions affecting filming on or over Caltrans property.

Caltrans Permit Contacts

California Film Commission (CFC) Caltrans Permit Coordinator
Alfonso Casey
Tel: 323.817.4104

Caltrans District 7 & Statewide Film Permit Coordinators
D7.Film.Permits@dot.ca.gov
Victor Ortega
Cell: 562.355.4466​

California Highway Patrol
Statewide Film Media Relations
Officer Jonathon Dockweiler
Cell: 213.703.2070

Online Permit Application

Caltrans District Map

Before You Apply: Step-by-Step Permit Application Information & Required Documents

When you have questions about a specific Caltrans location, start with a call to Caltrans Statewide Film Coordinators, not the local Caltrans district representative. Verbal consent from a District Engineer does not constitute automatic approval of a permit. There may be other factors involved.

Caltrans Permit Application Requirements
(Downloadable PDF here)

A complete application package with the following information and documents must be submitted:

  1. Provide specific details regarding the filming activity proposal
    • Complete production tasks
    • Total number of vehicles and types that will be on the Caltrans right of way during filming or
      • parked on Caltrans property.
    • Total number of cast and crew members
    • Number of lanes that will be used during filming
  2. Site/Vicinity Map for all film permit applications
    • Use the Caltrans Postmile Map: https://postmile.dot.ca.gov/PMQT/PostmileQueryTool.html
    • Click on the ‘line’ button (circled in red) to enable the start/end points of your route.
    • Click into the first numeric input box (where 1.841 is in the screenshot)
    • Then click on your start point
    • Now click into the box underneath it (where 14.255 is in the screenshot) and…
    • Click your end point.
    • Use the print function in your browser (Ctrl/Cmd+P) and select ‘…Print to PDF’ as your printer to save as a PDF
    • Upload this PDF Postmile map to your application.
  3. If a lane, curb-lane, or full closure is part of the filming activity, then a Traffic Control Plan (TCP) is necessary. Your application is not complete without the TCP.
    • Required to be stamped and sealed by a professional engineer (Civil or Traffic) with valid CA registration (Caltrans Encroachment Permit Manual Section 202.5)
    • Plans are required to be flattened and in PDF, safeguarding the engineer’s seal and signature.
    • Caltrans Standard Plans are acceptable, but Caltrans must approve.
    • CA Licensed contractors (A or C31) can layout traffic controls on State roadways
      • Caltrans EP Applicant – Contractor Authorization Form (DOT TR-0429) will be required.
  4. If filming will take place on an Interstate Highway (Any highway with a blue shield logo on a map) an extra Certificate of Insurance, along with a separate Additional Insured Endorsement form will be necessary.
    • The Federal Highway Administration (FHWA) also requires the following to be named as certificate holder on a separate Certificate of Insurance as well as a separate Additional Insured Endorsement form.
      • Certificate Holder: State of California, Department of Transportation 100 South Main Street, Suite 100 Los Angeles, CA 90012
    • With the Following Description of Operations and Additional Insured Endorsement language:
      • “The United States Department of Transportation, Federal Highway Administration (FHWA), and the State of California, Department of Transportation (Caltrans), are included as Additional Insureds for the permitted filming activities on Interstate Right-of-Way under Permit #*xxx-xxx-xxxx* / CFC #*xxxxx*.” (Permit# and CFC# will be provided.)”

 

If filming will take place on an Interstate Highway (Any highway with a blue shield logo on a map) an extra Certificate of Insurance, along with a separate Additional Insured Endorsement form will be necessary.

  • The Federal Highway Administration (FHWA) also requires the following to be named as certificate holder on a separate Certificate of Insurance as well as a separate Additional Insured Endorsement form.
    • Certificate Holder: State of California, Department of Transportation 100 South Main Street, Suite 100 Los Angeles, CA 90012
  • With the Following Description of Operations and Additional Insured Endorsement language:
Applying for a Caltrans Permit

Online Permit Application  |  Application Help

  • Permit applications must be submitted to the CFC at least four business days (or 96 business hours) in advance of an activity. Requests for the use of UAS/drones and freeway/road closures must be submitted twelve (12) business days in advance. If, however, all required documents are submitted in a timely manner and Caltrans is satisfied with the description of proposed activities, the turnaround time could be shorter.
  • Pay special attention to the times and dates being requested – especially if the time noted runs into the next day. For example, if you’re requesting May 11 from 8:00 p.m. to 2:00 a.m., you are actually requesting May 11 and May 12.
  • Be aware that requests that are too broad may be denied. For example, the 12-hour activity window being requested may be rejected; whereas, the four-hour window of time actually needed for an activity may be accepted.
  • When filling out applications, be as specific as possible. Include date(s), times, number of cast, crew and background players as well as activities. Do not give a range of dates. Caltrans cannot place “holds.” Indicate whether this is for a full closure, if you will require ITC (intermittent traffic control), rolling breaks, a CHP escort or if you will be filming with the flow of traffic. Indicate whether you will be doing car-to-car filming and if the camera car will have an arm attachment. Will you be bringing in a crane? Will you be shooting from a helicopter? Will pyrotechnics and/or stunt work be involved?
  • Include details such as cross streets and mile markers. When requesting to film on freeway exits, specify the name of the off-ramp rather than the exit number.
  • Understand that numerous revisions submitted late in the process may require a new permit and the start of another 4-day approval process.
  • Note that the CFC does not issue retroactive permits.
  • When emailing the CFC, always include permit number in the subject line.

An applicant may be instructed to apply for separate permits under the following conditions:

  • A request includes the use of a freeway and a state highway (even if they’re in the same district).
  • A request includes an activity on a state bridge that requires special considerations (more than merely driving with the flow of traffic).
  • A request includes locations that require road or ramp closures.
  • A request includes multiple locations, activities and dates.
Insurance

Insurance Requirements for Filming on State Property

The #1 reason permits are delayed or denied is incorrect or missing insurance documents. We recommend emailing these requirements to your insurance broker.

List of Brokers That Offer Both Long- and Short-Term Production Insurance

Monitor and Inspection Fees

There is no charge for the California Film Commission permit. However, Caltrans does charge a review fee, as well as an inspection fee for complex requests. Please note that Caltrans inspection fees are charged at time-and-a-half for weekend work and work done outside of normal business hours (8:00 a.m. – 5:00 p.m.) on weekdays.

Production companies are required to make arrangements for the assignment of CHP officers directly with the CHP State Film Liaison, Officer Jonathon Dockweiler at 213.703.2070.

Monitor and Inspection Fees for Caltrans and CHP

The Use of UAS (Drones) Over Caltrans Property

Submissions for permits that include the use of UAS over Caltrans property will now be reviewed on a case-by-case basis.

Guidelines for the Use of UAS over Caltrans Property

UAS operators must adhere to all current and future FAA mandated rules with regard to distances from airports, military installations and any person(s) or property.

It is the responsibility of the permittee to obtain all necessary jurisdictional approvals and to submit a detailed description of planned flight operations (including diagrams, charts, and maps as applicable) and proof of required insurance coverage within a timely manner.

Filming Around the Exterior of Caltrans District 7 Headquarters

Requests to film outside of District 7 Headquarters at 100 S. Main Street in downtown Los Angeles should be directed to Caltrans Statewide Film Coordinators, who will work with Caltrans Facilities staff to review all requests.​ A walk-through with Caltrans personnel will be required to determine the impact of the proposed production activities. As Caltrans’ right-of-way extends to portions of the sidewalk surrounding the perimeter of the building, a Caltrans permit may be required (as well as a city permit through FilmLA). Depending on the impact to the building/plaza/driveways, review and monitor fees may also be required.

Revisions

Minor revisions must be submitted online. They are often accepted and will be considered on a case-by-case basis.

A new permit application, and possibly the beginning of a new 4-day approval process, may be requested if:

  • The original application has been approved and a permit has already been issued.
  • There is a change of location and/or Caltrans district.
  • There are too many major changes.
  • Days are added that do not occur within the same week as the original permit.
  • The change entails a closure (which requires a 12-day approval process).

Keep in mind that revisions involving additional locations may necessitate:

  • Additional CHP officers. If you have any questions about CHP involvement in your production, feel free to contact Officer Ian Ramer.
  • A Caltrans inspector as well as added fees.
Denials

Permits/revisions may be denied:

  • If applications and/or changes are submitted too late and too close to the shoot date (especially those requiring freeway closures).
  • If there are extenuating circumstances (ongoing construction, public events, weather conditions, etc.).
  • If there are safety concerns about your proposed activities.
  • Due to other agency considerations (such as LAX and the Port).
  • By the area engineer.
  • If your certificate of insurance is not complete.
  • If fees have not been paid.
Filming on Interstate Highways

Filming on Interstate Highways (Highways with a blue shield behind the highway number) requires approval from the Federal Highway Administration (FHWA). The FHWA requires at least 30 days to process a permit application.

In addition to the CFC insurance requirements, the FHWA also requires the following to be named as certificate holder on a separate Certificate of Insurance.

Certificate Holder:
State of California, Department of Transportation
100 South Main Street, Suite 100
Los Angeles, CA 90012

With the Following Description of Operations:
“The United States Department of Transportation, Federal Highway Administration (FHWA), and the State of California, Department of Transportation (Caltrans), are included as Additional Insureds for the permitted filming activities on Interstate Right-of-Way under Permit #*xxx-xxx-xxxx* / CFC #*xxxxx*.”
(Permit# and CFC# will be provided.)

Freeway and Road Closures

There is a 12 business day approval process for freeway closures, but if you know more than 12 business days in advance that you will be asking for a closure, submit your permit application as soon as possible. At least one meeting with Caltrans, CHP, Fire and CFC personnel may be needed to discuss logistics. (See below for more information on freeway closure meetings.)

Note that Caltrans will only close freeways on weekends – never during the workweek. And they will not close a freeway two weekends in a row. This practice is meant to minimize the inconvenience to motorists and area residents and to insure that certain freeways are not overused for filming – thus remaining available to productions in the future.

Freeways will not be closed for rehearsals. Exceptions are rare.

You will be given a Freeway Closure Etiquette sheet to attach to your call sheets for the day(s) you will be filming on the freeway.

Freeway Closure Meetings

If you are planning a freeway closure, contact the CFC (after submitting your application) about setting up a meeting. Participating in the meeting will be members of the CFC, Caltrans and CHP as well as the Deputy State Fire Marshal (as needed). Also joining the meeting should be:

  • All relevant members of the production team (location manager, UPM, line producer, 1st AD, transportation coordinator, stunt coordinator)
  • A representative from your permit company, if applicable
  • A representative from your barricade company
  • A representative from any relevant agency (LAX, Metro, etc.)

A representative from the affected city will be notified and invited to the meeting, but you should also notify the city where your proposed filming activities will occur.

During the meeting, you will be informed of approximately how many CHP officers will be required and if CMS (changeable message signs) will be needed.

Once Your Permit Has Been Issued
  • Keep a printed copy of your permit with you on location at all times.
  • Be advised that on the day of your shoot – if it is foggy, if it rains or has stopped raining but the surface of the freeway/road is still wet, your shoot will be canceled.
  • Set lighting (such as Bebee lights) can never face ongoing traffic.
  • Production vehicles driving onto closed sections of freeway should have placards on the windshield identifying the show/production, so CHP officers will know they’re authorized to drive into restricted areas.
  • An 11-foot fire/emergency lane must remain accessible on closed freeways. If production or picture vehicles are parked on the shoulder, the keys must remain in the vehicles, so they may quickly be moved if necessary.
  • Closed freeways may never be used as base camps. Only essential production vehicles (portable restrooms and necessary equipment trucks) will be allowed on the freeway.

By following the guidelines set forth above, the permit process runs smoother for all of us. And as you can see, just as it is in production, these procedures are subject to many variables. Be assured, however, that we will always do our best to accommodate your request for permits. Click here for a PDF summary of the guidelines.

Thank you for your cooperation.

California Film Commission
7080 Hollywood Blvd., Suite 900
Los Angeles, CA 90028
Tel: 323.860.2960 | 800.858.4749
Email the CFC | About Us

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Leah M. Medrano

Leah M. Medrano

As the Acting Deputy Director for the Film and TV Tax Credit Program, Leah blends her production office experience with her 20-year experience in government relations. With production and media experience, Leah previously worked at Fox Television Stations, MTV Networks, Fox Sports Net / PrimeTicket, TMZ, and the local Los Angeles news group for CBS2 and KCAL9. Leah joined the California Film Commission when the Tax Credit Program was first enacted in 2009. Leah received her Master’s and Bachelor’s Degrees in Communication Studies from Long Beach State University.

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Eric Klosterman

Eric Klosterman

Permit Manager
After a 35-year career as a location manager, Eric brings a wealth of knowledge and problem-solving skills as the Manager for the Permit Department. He served as 2016/17 President of the Location Managers Guild International. He’s a true industry veteran, having worked on many large-scale film and TV productions such as Black Rain, Indecent Proposal, Ghost, Anywhere but Here, ER, and Hart of Dixie.

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Erik Deutsch

Erik Deutsch

Erik is a media strategist with more than 20 years of experience in PR and social media marketing. He has managed award-winning campaigns for clients ranging from startups to Fortune 500 companies. He is a past-president of the Public Relations Society of America, Los Angeles Chapter (PRSA-LA) and a longtime instructor for UCLA Extension’s PR Certificate Program. Erik earned a BA in economics from UCLA and an MA in communication management from USC’s Annenberg School for Communication.

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Joseph Cruz

Joseph Cruz

Before joining the California Film Commission Joseph has also worked for the State of Caifornia Department of Corporations and Department of Social Services.  Joseph is a native New Yorker and an alumni of Antioch College and U.S. Navy veteran.  Joseph enjoys music, dancing, tennis and volleyball.  A favorite quote is:  “Anyone who keeps the ability to see life’s beauty never grows old in heart or spirit”

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Jennifer Jackson

Jennifer Jackson

Jennifer is a valued member of the CFC team having first joined in 2015 as an Administrative Assistant ensuring operations around human resources, purchasing, and travel ran smoothly. She was promoted to Location Resource Coordinator in July of 2022 where she currently assists productions throughout California and maintains CFC assets such as the location library and FLIC contacts across the Golden State.

Jennifer previously worked for the State with the Lanterman Developmental Center, and State Compensation Insurance Fund, in addition to 10 years in advertising sales with the Los Angeles Times, La Canada Valley Sun, and the Glendale News Press.

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Laura Baptista

Laura Baptista

General Assistant
Laura’s friendly voice will likely be the one you hear when calling the CFC’s office as she’s stationed at our front desk to handle reception and general office work. She joins us from the California Highway Patrol. She studied Cinema at San Francisco State University and also worked as a TV production assistant. In her spare time, Laura enjoys swimming, DIYing and studying to one day compete on Jeopardy.

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Lisa Mosher

Lisa Mosher

Lisa joined the California Film Commission in 1987 after years as a librarian with the Academy of Motion Picture Arts and Sciences and participated in a job exchange program with the British Film Institute. As the manager of the CFC’s Location Resource Center, Lisa supervises the organization of location photographs and contact information to permit offices statewide, while providing location and production assistance. She expanded the CFC’s hardcopy photo library and online location resource – CinemaScout - bringing all resources into the digital age.  Recently, Lisa also completed four decades as a part-time librarian with the Beverly Hills Public Library. She holds a USC Master of Science in Library Science and a UCLA Bachelor of Arts in Art History and Film. Working at the CFC alongside expert colleagues, creative film commissioners, and brilliant location professionals is a true calling and the joy of her life.

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Jerram Swartz

Jerram Swartz

After spending four decades in the trenches as an Assistant Director and Production Manager, with over 100 credits that include E.T. – The Extraterrestrial, The Blues Brothers, and The Walking Dead, and filming locations throughout the US and Europe, Jerram left the glamor of 16-hour workdays for the comparative sanity of the life of an analyst at the film commission, which he says is “one of the smartest moves I ever made.” Occasional lecturer, also Producer/Director/Lyricist for six seasons of The Pasadena Follies.

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Isaiah Sandoval

Isaiah Sandoval

As the Program Associate, Isaiah’s essential functions include technical aspects within the tax credit program. He oversees the creation and facilitation of the Soundstage Filming Tax Credit Application Portal, supports the funding tracker portal, and gathers data in preparation for the annual Progress Report. Isaiah previously worked for the California Department of Public Health and served in the United State Marine Corps. He’s a California native and graduate of California State University, Los Angeles.

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Francisco Vasquez

Francisco Vasquez

Francisco has worked for the State of California for six years and joins us from the Department of Motor Vehicles. While attending college, Francisco held an internship at the Office of U.S. House Member Karen Bass, representing the 34th District, where he assisted with scheduling meetings and community outreach program events. On his time off, Francisco is teaching himself how to play the electric guitar, while hanging out with his nieces and nephew.

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Catherine Adamic

Catherine Adamic is the State parks permit coordinator for southern California. Catherine has been at the California Film Commission since the creation of the ‘talkies’ many decades ago. At one time or another, she has worked every position at the CFC. She started answering the phones, promoted and was the assistant for three directors and managed the FLICS (Film Liaisons in California, Statewide) program prior to coordinating permits. Born in Hollywood, she has a degree in film and a minor in photography. She is an avid traveler, writer, photographer and equestrian.

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David Booth

David Booth

David is the Permit Coordinator for the Caltrans desk at the CFC. He studied Film and Television Production at San Diego State University, and produced the award-winning shorts, Good Morning, DaveFour for a Quarter, and the well-received Wordmeister series of educational videos. In his spare time David enjoys refurbishing old spoons and taking correspondence courses in breakdancing.

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Brandy Davis

Brandy Davis

Location Resource Advisor
Brandy joined the CFC team in 2018 as the Permit Coordinator for State Beaches, Parks, Buildings and Facilities before being promoted to Location Resource Advisor in March of 2022. She previously worked for State Parks’ Angeles District, where she worked for nearly three years. Before working for the State, she produced several non-fiction programs – from clip shows and talk shows to docu-reality series. Brandy also served as casting director for an independent film and a short film that was part of the AFI Directing Workshop for Women. Brandy graduated from Cal State Northridge with a degree in Cinema & TV Arts.

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Officer Ian Ramer

Officer Ian Ramer

As the California Highway Patrol’s film liaison, Ian Ramer facilitates permitting for film production on roads, highways, freeways and related state property throughout California.  He works with CALTRANS, various road authorities, and production companies, to address safety and operational issues involving production activity.  Officer Ramer began his current post last December 2017 after transferring to CHP’s Southern Division office earlier that year. He joined CHP in 2007 and has also served as a public safety dispatcher and commercial vehicle inspection specialist.

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Richard Schlesinger

Richard Schlesinger

Richard brings to the Film Commission over thirty years of experience as a Producer, Executive Producer, Line Producer, Screenwriter and Director. A specialist in international co-production, he has made movies and TV series in 20 countries around the world, as well as many states and provinces in the US and Canada. Seven of his screenplays have been produced. Richard speaks French fluently and has a degree in Film & Literature from Brown University.

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Alfonso Casey

Alfonso Casey

Permit Coordinator Caltrans Highways & Freeways

Alfonso is a native of Southern California with twelve years of experience working at one of the largest medical device manufacturers in the world. He graduated with a mathematics degree from Cal Poly Pomona. He enjoys crunching numbers, solving puzzles, basketball, and playing guitar.

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Jennifer Fierro

Jennifer Fierro

Jennifer is a native Angeleno, born and raised in Angelino Heights. She has worked in State service for about 8 years which started at the State Compensation Insurance Fund back in 2014. Prior to joining the Film Commission, she recently worked at the California Unemployment Insurance Appeals Board. Jennifer enjoys photography, cooking, camping/outdoor activities, and caring for her pet Dachshund, “Churro.” Jennifer enjoys watching classic films, including favorites such as “Casablanca,” “Man on Fire,” “The Outsiders,” and “Reservoir Dogs.”

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Shadina Tiffith

Shadina Tiffith

Administrative Assistant
Shadina joined the CFC team in September of 2022, as an Administrative Assistant. She previously worked in the film industry for Amazon Studios, as an Executive Administrative Assistant. She previously worked for the State of California Employment Development Department, as an Employment Specialist claim filer for several years. Shadina is a great addition to the administrative team. She brings her huge personality, her great customer service skills, along with her team player attitude, and all her wonderful talents, with a great deal of experience in office administration to our team. Shadina studied at Cal State LA, for a degree in Business Administration.

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Tiana Reynolds

Tiana Reynolds
Permit Coordinator Southern California State Parks

Tiana is the Southern California State Parks Coordinator at the CFC. She previously worked as the Film Billing Coordinator for CA State Parks. She graduated from California State University, Fullerton with a BA in Business Administration concentrating in Entertainment & Hospitality Management. In her free time, she likes to spend her time at Disneyland and trivia nights with friends.

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Lori Moilov

Lori Moilov

Permit Coordinator Southern California State Parks

Lori joined the CFC team in 2022 as the Permit Coordinator for State Beaches, Parks, Buildings and Facilities.  Before joining the team, she worked at Walt Disney Imagineering helping budget various media projects for the Disney parks as a Bidding Producer.  She has worked for several production companies at TBS, TNT, E!, CBS, HBO, Lifetime, BET, Jesse Collins Entertainment, and Animal Planet in production finance. Some shows include Silicon Valley, Angel From Hell, Roadies, The Arsenio Hall Show, BET Awards, Hip Hop Awards, Dirty little secret: Jodi Arias, Wild Recon, I’m Alive, Venom in Vegas, and more.   She started in the entertainment industry working for Robert Evans and his production company at Paramount Pictures reading manuscripts and scripts doing development and providing coverage.   Lori is a double major in Accounting and Marketing from California State University Long Beach.

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Omar Yousif

Omar Yousif

Program Coordinator

Omar Yousif is the Program Coordinator for the Film and Television Tax Credit Program. Omar brings experience in public relations and various government / non-profit work. He previously worked at Marino, BerlinRosen, and Vote 4 Me. Omar graduated from the University of Southern California, where he studied Public Relations and Political Science.

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Lorna Leslie

Lorna Leslie

Permit Coordinator Southern California State Parks

Lorna comes to the CFC after a long career as a Camera Assistant on Film, TV and Commercials projects. She has been living in Agua Dulce for almost 20 years. She has four chickens, two pygmy goats, and a dog named Chappie. She enjoys participating in community activities, volunteering, and spending time in the great outdoors. Also, she is a mixed media artist and sells some of her artwork in local shops.

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Fanshen Cox

Fanshen Cox

Diversity, Equity, Inclusion, and Accessibility Initiative Manager

Fanshen is the former SVP Development & Impact at Pearl Street Films. She holds an MFA from CalState LA and an honorary MFA from New York Film Academy. She’s an award-winning playwright, and is the producer and host of the Sista Brunch podcast - sharing the stories of Black women and gender expansive people thriving in entertainment and media. Fanshen is also a co-author of the Inclusion Rider, and founder of TruJuLo Productions which uplifts stories that speak truth in pursuit of justice, in service of love.

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Megan Fleming

Megan Fleming

Program Assistant

Megan worked in film & television development at companies such as The Safran Company for seven years before coming aboard as the Program Assistant at the California Film Commission Tax Credit Program.  She is originally from Lawrence, Kansas and graduated from University of Nebraska-Lincoln with a degree in Film and New Media.

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Leo Fialho

Leo Fialho

Permit Manager

Leo Fialho joined the California Film Commission in September 2024. As the Permit Manager, he leads a team of Permit Coordinators responsible for issuing permits for filming on state-owned and operated beaches, parks, buildings, roads, and open acreage. He works closely with location professionals, production companies, and government departments to analyze permit requests, guide productions through the permitting process, and support productions with on-location production issues.
A Brazilian-American, Leo holds a Bachelor of Fine Arts Degree in Film & TV Production from NYU. Since 2004, he has been a Location Manager in Los Angeles, working on a wide range of productions, from large-scale feature films and streaming television shows to commercials and photo shoots.

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Heather-J

Heather Jennings

DEIA Program Associate

A native of Los Angeles, Heather Jennings’ career began at the Gersh Agency and Koch Company before moving into visual effects as a bidding producer, and ultimately VP of Film, at Rhythm & Hues. She later held Executive Producer roles at VFX houses Digital Domain and Method Studios. After serving as a Line Producer at Netflix Animation, Heather earned her Certificate in Sustainability at UCLA and obtained a LEED Green Associate credential. A member of the PGA and USGBC, Heather is passionate about advancing sustainable and equitable practices and inspiring climate action through storytelling.

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Laura Baptista

Laura Baptista

Administrative Assistant
Shadina originally joined the CFC team in September of 2022 to October of 2024, as a Management Services Technician. She recently returned to the CFC after previously working for the state of California Employment Development Department again. She has re-joined the CFC team again. With her experience in the film industry by previously working for Amazon Studios corporate offices, as an Executive Administrative Assistant for several years, Shadina is a great addition to the administrative team here at the CFC.

She brings her huge personality, her great customer service skills along with her knowledge and wonderful talents in displaying her team player attitude. With a great deal of experience not only in office administration, but a great deal of experience in GO-Biz Business affairs. Shadina studied at Cal State L.A. University and completed her studies with a B.A. degree in Business Administration.

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Shawn Wu

Shawn Wu

DEIA Program Associate

Shawn Wu worked as an Animation Development Executive at Nickelodeon for 6 years, where he developed character driven comedies with writers and artists. Shawn served as the Lieutenant of the Content Pillar of Paramount’s Kids & Family Inclusivity Council, where he oversaw the creation and launch of Nickelodeon’s Content Accelerator Program. Prior to Nickelodeon, Shawn worked as an NBC Page, where he had stints at Late Night with Seth Meyers, Universal Kids, and Broadway Video. Shawn began his career in entertainment as an intern for Sonja Morgan, Real Housewife of NYC. Shawn serves on the Board of Hollywood Radio Television Society’s Associates Branch and is a Volunteer Outreach Lead at SELAH Neighborhood Homeless Coalition.

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Trey Bellows Jr

Trey Bellows Jr.

Program Assistant

Los Angeles native Trey Bellows Jr. has spent his entire life around the entertainment industry. Beginning as a child actor at age seven, he grew up on film and television sets throughout the city before shifting focus to his education. He earned a degree in Business Administration with a concentration in Marketing from California State University, Fullerton.

Drawn back to entertainment, Trey worked across multiple disciplines—including audio engineering and camera work—before establishing himself as a Production Manager and Coordinator. His career spans music videos, commercials, films, and live events, and now he’s bringing his experience to the CFC to help support the film industry in his home.

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